Historical records matching Amália Rodrigues
view all
Immediate Family
-
Privateex-spouse -
Privateex-spouse
-
-
mother -
father -
Privatesibling
-
Privatesibling
-
Privatesibling
-
Privatesibling
-
Privatesibling
-
Privatesibling
-
Privatesibling
About Amália Rodrigues
Amália da Piedade Rodrigues (Lisbon 23 July 1920 – 6 October 1999), better known as Amália Rodrigues or popularly as Amália, was a Portuguese fadista (fado singer).
Known as the 'Rainha do Fado' ("Queen of Fado"), Rodrigues was instrumental in popularising fado worldwide and traveled internationally throughout her career. Amália remains the best-selling Portuguese artist in history.
___
Ancestors of Amália Rodrigues
___
Early life
Even though official documents give her date of birth as 23 July, Amália herself maintained that her birthday was actually 1 July 1920. The baptism certificate of Rodrigues is in the Parish Church of Fundão, and the document was published in the Journal of Fundão after the singer's death, following its discovery in an investigation by Salvado J. Travassos.
She was born in Pena, a parish of Lisbon, Portugal. Her father was Albertino de Jesus Rodrigues, originally from the Castelo Branco district in Central Portugal, and her mother was Lucinda da Piedade Rebordão, of Fundão parish, also in the Castelo Branco district. Her maternal family had roots in Souto da Casa, a parish in Fundão, where Rodrigues's grandfather worked as a blacksmith. According to the testimony of José Filipe Duarte Gonçalves, her sister, Celeste, was born in Lisbon (in addition to another child who died). Rodrigues grew up in poverty and doing odd jobs such as selling fruit on Lisbon's quays.
Singing career
Rodrigues started singing around 1935. Her first professional engagement in a fado venue took place in 1939, and she was a guest in stage revues.[6] Around that time she met Frederico Valério, a classically trained composer who recognized Amália's potential and composed numerous melodies especially designed for her- adding orchestral accompaniments. Such as 'Fado do Ciúme', 'Ai Mouraria', 'Que Deus Me Perdoe', and 'Não Sei Porque Te Foste Embora.
By the early 1940s, Amália had become a famous singer in Portugal. Rodrigues began acting with a debut film in 1946 titled 'Capas Negras' followed by her best-known movie, 'Fado' (1947).
She gained popularity in Spain and Brazil (where, in 1945, she made her first recordings on the Brazilian label Continental) where she spent some time, and Paris (1949) where she resided. In 1950, while performing at the Marshall Plan international benefit shows, she introduced the song 'April in Portugal' to international audiences, under its original title "Coimbra".
In the early 1950s, the involvement of Portuguese poet David Mourão-Ferreira marked a new phase in her career where leading poets were writing specifically for her.
International career
Amalia Rodrigues travelled abroad for the first time in 1943, to perform at the Portuguese ambassador in Madrid Pedro Teotónio Pereira's gala party. She was accompanied by singer Júlio Proença and musicians Armandinho and Santos Moreira. She performed in Brazil in 1945 where she made her first recordings, in Berlin in 1950 and also performed in Mexico and France. She was the first Portuguese artist to appear on American TV on ABC in 1953. She sang at Hollywood's Mocambo club in 1954.
Rodrigues appeared in Henri Verneuil's film The Lovers of Lisbon (Les Amants du Tage), in a supporting role. In France she was almost as popular as in Portugal, and she performed at the prestigious Parisian Olympia hall.[when?] This led to the release of the album Portugal's Great Amália Rodrigues Live at the Olympia Theatre in Paris, in 1957.
In France during the 1950s–1960s she performed on television and became a well-known artist. Charles Aznavour wrote a fado in French especially for her 'Aie Mourir Pour Toi' and she created French versions of her own songs (e.g. Coimbra became Avril au Portugal. She performed at Olympia for 10 seasons between 1956 and 1992.
She then[when?] said she would sing only once in a while. She returned in 1962 concentrating on recording and performing live at a slower pace.
Her comeback album, 1962's Amália Rodrigues, was with French composer Alain Oulman (1929–1990), who was to become her main songwriter and musical producer. He wrote melodies for creating a Fado sub-genre known as 'Busto' (Bust). Rodrigues also began to sing her own poems ('Estranha Forma de Vida') on Amália Rodrigues, as well as poems written by other poets, such as Pedro Homem de Mello and David Mourão-Ferreira. This album also established her signature songs like 'Povo Que Lavas no Rio', 'Maria Lisboa' and 'Abandono'. Oulman, a left-wing intellectual, was arrested by Portugal's political police (known as PIDE) in 1966, and forced into exile, but he continued contributing for Amália.
She resumed her stage-career singing in Israel, the UK, France, and returning to the US for Promenade Concerts at the Hollywood Bowl, and New York City, accompanied by Andre Kostelanetz, in 1966 and 1968. She also sang in the ex-USSR and Romania.
Acting career
Amália in Amsterdam, 1964.
She continued her acting career, in films like 'Sangue Toureiro' (1958), and 'Fado Corrido' (1964).
Rodrigues appeared in Carlos Vilardebó's 1964 arthouse film The Enchanted Islands based on a short story by Herman Melville. Her 1965 recording of poems by 16th century poet Luís de Camões generated acres of newspaper polemics. Her 1968 single Vou dar de beber à dor broke all sales records and her 1970 album Com que voz won a number of international awards.
Having been given Portugal's Film Award for Best Actress for 'Fado' in 1947, once again she was awarded as Portugal's Best Film Actress in 1965, in a movie where she didn't sing.
In between she performed in other genres: she recorded some of her old songs with an orchestra, recorded an album with jazz saxophonist Don Byas 'Encontro' (1968), and recorded an album of American songs with Norrie Paramor's orchestra, 'Amália On Broadway' which includes a rendition of 'Summertime', 'The Nearness of You'.
An important album in the 1960s was 'Com Que Voz', (1969), reprising many of her successes and adding a few more, all poems by Portuguese-speaking poets, and music by Alain Oulman. Rodrigues was at the height of her vocal and performing powers during the 1960s
The later years
In the 1970s, Rodrigues concentrated on live concert performances.
From the 1970s Rodrigues enjoyed particularly marked success in Italy and Japan. She recorded an album of Italian traditional songs, A Una Terra Che Amo (1973), and made versions of her own songs in Italian. She recorded live performances in an album called Amália in Italia (1978). Her return to the recording studio with Portuguese material came in 1977 with Cantigas numa Língua Antiga.
Soon after that release, Rodrigues suffered her first really serious troubles in terms of physical health, which caused her to be away from the stage for a short period again, and forced her to concentrate on performing, especially in Portugal. Those problems were followed by two very personal albums: Gostava de Ser Quem Era (1980) (literally 'I Wish I Were Who I Was') and 'Lágrima' (1983): all these songs used poems that she herself wrote. In between she sang Frederico Valerio's songs again, in an album called Fado (1982).
The 1980s and 1990s brought her enthronement as a living legend. Her last all-new studio recording, Lágrima, was released in 1983. It was followed by a series of previously lost or unreleased recordings and two greatest hits collections.
Illness
Rodrigues returned to the Olympia in Paris in 1985 for a series of concerts. From 1985 to 1994, she enjoyed great international success. During these years she held concerts in France, Italy, Japan, the Netherlands, Belgium, Germany, Brazil, Argentina, Israel, and the USA, in addition to Portugal.
In 1990 the celebrations of her 50th career anniversary started with a major concert in Lisbon's Coliseu dos Recreios at the age of 69. She was decorated by the President of the Republic on stage. Her voice had changed: it was lower in pitch and had acquired a new intensity.
Despite a series of illnesses involving her voice, Rodrigues continued recording as late as 1990. She eventually retreated from public performance, although her career gained in stature with an official biography by historian and journalist Vítor Pavão dos Santos, and a five-hour TV series documenting her half-century-long career featuring rare archival footage (later distilled into the 90-minute film documentary, The Art of Amália). Its director, Bruno de Almeida, has also produced Amália, Live in New York City, a concert film of her 1990 performance at The Town Hall.
Rodrigues launched a final album of originals in 1990, Obsessão. In December 1994 she gave her last concert, aged 74, during the Lisbon European Capital of Culture concerts. She underwent a lung operation soon after, in 1995. Television specials, interviews and tributes were held. She released a new album with original recordings from the 1960s and 1970s, Segredo (1997), and a book of her poems, including the ones she had sung: Amália: Versos (1997).
In 1998, Rodrigues was paid a national tribute at Lisbon's Universal Exhibition (Expo '98), and in February 1999 was considered one of Portugal's 25 most important personalities of the democratic period. Soon after she recorded what would become her last interview for television. The 'Cinématheque de Paris' did her a tribute in April 1999, by showing some of her movies.
Death
On 6 October 1999, Rodrigues died at age 79, in her Lisbon home. The Portuguese government, at the time led by Prime Minister António Guterres, promptly declared three days of national mourning. Her house, in Rua de São Bento, is now a museum. She is interred at the National Pantheon alongside other Portuguese notables.
She was given a state funeral, attended by tens of thousands, and later transferred to the national Pantheon in 2001; the first woman ever to be laid among the greatest Portuguese figures, an exceptional honour awarded by Parliament.
in Wikipedia (En & Pt)
Discography
Singles
1945: Perseguição
1945: Tendinha
1945: Fado do Ciúme
1945: Mouraria
1945: Los piconeros
1945: Troca de olhares
1945: Ai, Mouraria
1945: Maria da Cruz
1951/52: Ai, Mouraria
1951/52: Sabe-se lá
1953: Novo fado da Severa
1953: Uma casa portuguesa
1953: El Negro Zumbón
1954: Primavera
1955: Tudo isto é fado
1956: Foi Deus
1957: Amália no Olympia
1968: La, la, la
EPs
1963: Povo que lavas no rio
1964: Estranha forma de vida
1965: Amália canta Luís de Camões
1969: Formiga Bossa Nossa
1971: Oiça lá, ó Senhor Vinho
1972: Cheira a Lisboa
LPs and CDs
1952: Abbey Road 1952
1954: Fados from Portugal/Flamengos from Spain
1956: Encores
1957: Amália A L'Olympia
1958: Fado and Flamenco Favorites (Angel Records)
1959: La Fabulosa (Kapp Records)
1962: Busto
1965: Fado português
1967: Fados 67
1967: fados a guitarradas au portugal
1969: Marchas de Lisboa
1969: Vou dar de beber à dor
1970: Amália/Vinicius
1970: Com que voz
1971: Oiça lá, ó Senhor Vinho
1971: Amália no Japão
1971: Cantigas de amigos
1972: Folclore à guitarra e à viola
1973: A una terra che amo
1973: Encontro com Don Byas
1974: Amalia in Italia
1974: Reine du fado
1976: Amália no Caneção
1976: Cantigas da boa gente
1977: Cantigas numa Língua Antiga
1980: Gostava de ser quem era
1983: Lágrima
1984: Amália na Broadway
1985: O Melhor de Amália: Estranha forma de vida
1985: O Melhor de Amália, vol. 2: Tudo isto é fado
1989: Amália 50 anos: Rara e inédita
1990: Live in Japan
1990: Obsessão
1990: O fado
1990: Rainha do fado
1990: Foi deus
1990: Sings Portugal
1991: Amália
1991: Sucessos
1992: The Queen of Fado – Coimbra
1992: American Songs (Celluloid)
1994: Ses plus belles chansons
1994: O melhor dos melhores
1996: Fado lisboeta
1997: Segredo
1998: Semplicemente il meglio
1998: The Art of Amália
2000: A dama do fado
2000: En español
2004: Amália: universal
2004: Fados, poemas e flores, vol. 1
2004: Fados, poemas e flores, vol. 2
2005: The Art of Amália II
2009: Coração independente
2011: The Queen of Fado (ARC Music)
2012: The Queen of Fado, vol. 2
2014: De Porto em Porto
Interviews
Videos
Streaming
https://open.spotify.com/artist/0DBF33ctUe4yhxKP3eTcCt
https://music.apple.com/us/artist/am%C3%A1lia-rodrigues/14568741
https://www.youtube.com/@AmaliaRodriguesOfficial
https://www.youtube.com/@AmaliaRodriguesOfficial/playlists
Radio Amália Rodrigues online 24 hours - just fado
https://radioonline.com.pt/amalia/
Amália Rodrigues Museum (Lisbon - Portugal)
https://amaliarodrigues.pt/en/house-museum/
References
https://en.wikipedia.org/wiki/Am%C3%A1lia_Rodrigues
https://pt.wikipedia.org/wiki/Am%C3%A1lia_Rodrigues
https://www.imdb.com/name/nm0735052/
https://www.discogs.com/it/artist/475503-Am%C3%A1lia-Rodrigues
https://www.visitportugal.com/pt-pt/NR/exeres/EBBEBC42-0668-4CBD-A9...
https://www.panteaonacional.gov.pt/2019/09/02/o-panteao-nacional-e-...
http://www.cinept.ubi.pt/pt/pessoa/2143688845/Am%C3%A1lia+Rodrigues
https://www.portaldofado.net/content/view/3210/275/
https://www.portaldofado.net/content/view/1259/lang,en/
https://www.economist.com/obituary/1999/10/14/amalia-rodrigues
(information by Eliane Prates-Svennesen 2023)
Acerca de Amália Rodrigues (Português)
Amália da Piedade Rodrigues (Lisboa, 1 de Julho de 1920 — Lisboa, 6 de Outubro de 1999) foi uma fadista, cantora e actriz portuguesa, considerada o exemplo máximo do fado, comummente aclamada como a voz de Portugal e uma das mais brilhantes cantoras do século XX. Está sepultada no Panteão Nacional, entre os portugueses ilustres. Nasceu a 1 de Julho de 1920 na Rua Martim Vaz, da freguesia lisboeta da Pena, sendo apenas registada dia 23, data que consta dos seus documentos oficiais.
Tornou-se conhecida mundialmente como a Rainha do Fado e, por consequência, devido ao simbolismo que este género musical tem na cultura portuguesa, foi considerada por muitos como uma das suas melhores embaixadoras no mundo. Aparecia em vários programas de televisão pelo mundo fora, onde não só cantava fados e outras músicas de tradição popular portuguesa, como ainda canções contemporâneas (iniciando o chamado fado-canção) e mesmo alguma música de origem estrangeira (francesa, americana, espanhola, italiana, brasileira). Marcante contribuição sua para a história do Fado, foi a novidade que introduziu de cantar poemas de grandes autores portugueses consagrados, depois de musicados. Teve ainda ao serviço da sua voz a pena de alguns dos maiores poetas e letristas seus contemporâneos, como David Mourão Ferreira, Pedro Homem de Mello, Ary dos Santos, Manuel Alegre, Alexandre O’Neill.
Faleceu aos 79 anos, em sua casa, na Rua de São Bento, freguesia lisboeta de Santa Isabel, deixando um legado cultural único para Portugal.
_________________________
_________________________
_________________________
Adição em 2023
Discografia
Singles
1945: Perseguição
1945: Tendinha
1945: Fado do Ciúme
1945: Mouraria
1945: Los piconeros
1945: Troca de olhares
1945: Ai, Mouraria
1945: Maria da Cruz
1951/52: Ai, Mouraria
1951/52: Sabe-se lá
1953: Novo fado da Severa
1953: Uma casa portuguesa
1953: El Negro Zumbón
1954: Primavera
1955: Tudo isto é fado
1956: Foi Deus
1957: Amália no Olympia
1968: La, la, la
EPs
1963: Povo que lavas no rio
1964: Estranha forma de vida
1965: Amália canta Luís de Camões
1969: Formiga Bossa Nossa
1971: Oiça lá, ó Senhor Vinho
1972: Cheira a Lisboa
LPs and CDs
1952: Abbey Road 1952
1954: Fados from Portugal/Flamengos from Spain
1956: Encores
1957: Amália A L'Olympia
1958: Fado and Flamenco Favorites (Angel Records)
1959: La Fabulosa (Kapp Records)
1962: Busto
1965: Fado português
1967: Fados 67
1967: fados a guitarradas au portugal
1969: Marchas de Lisboa
1969: Vou dar de beber à dor
1970: Amália/Vinicius
1970: Com que voz
1971: Oiça lá, ó Senhor Vinho
1971: Amália no Japão
1971: Cantigas de amigos
1972: Folclore à guitarra e à viola
1973: A una terra che amo
1973: Encontro com Don Byas
1974: Amalia in Italia
1974: Reine du fado
1976: Amália no Caneção
1976: Cantigas da boa gente
1977: Cantigas numa Língua Antiga
1980: Gostava de ser quem era
1983: Lágrima
1984: Amália na Broadway
1985: O Melhor de Amália: Estranha forma de vida
1985: O Melhor de Amália, vol. 2: Tudo isto é fado
1989: Amália 50 anos: Rara e inédita
1990: Live in Japan
1990: Obsessão
1990: O fado
1990: Rainha do fado
1990: Foi deus
1990: Sings Portugal
1991: Amália
1991: Sucessos
1992: The Queen of Fado – Coimbra
1992: American Songs (Celluloid)
1994: Ses plus belles chansons
1994: O melhor dos melhores
1996: Fado lisboeta
1997: Segredo
1998: Semplicemente il meglio
1998: The Art of Amália
2000: A dama do fado
2000: En español
2004: Amália: universal
2004: Fados, poemas e flores, vol. 1
2004: Fados, poemas e flores, vol. 2
2005: The Art of Amália II
2009: Coração independente
2011: The Queen of Fado (ARC Music)
2012: The Queen of Fado, vol. 2
2014: De Porto em Porto
Entrevistas
Vídeos
Streaming
https://open.spotify.com/artist/0DBF33ctUe4yhxKP3eTcCt
https://music.apple.com/us/artist/am%C3%A1lia-rodrigues/14568741
https://www.youtube.com/@AmaliaRodriguesOfficial
https://www.youtube.com/@AmaliaRodriguesOfficial/playlists
Radio Amália Rodrigues online 24 horas - somente fado
https://radioonline.com.pt/amalia/
Museu Amália Rodrigues (Lisboa - Portugal)
https://amaliarodrigues.pt/en/house-museum/
Referências
https://en.wikipedia.org/wiki/Am%C3%A1lia_Rodrigues
https://pt.wikipedia.org/wiki/Am%C3%A1lia_Rodrigues
https://www.imdb.com/name/nm0735052/
https://www.discogs.com/it/artist/475503-Am%C3%A1lia-Rodrigues
https://www.visitportugal.com/pt-pt/NR/exeres/EBBEBC42-0668-4CBD-A9...
https://www.panteaonacional.gov.pt/2019/09/02/o-panteao-nacional-e-...
http://www.cinept.ubi.pt/pt/pessoa/2143688845/Am%C3%A1lia+Rodrigues
https://www.portaldofado.net/content/view/3210/275/
https://www.portaldofado.net/content/view/1259/lang,en/
https://www.economist.com/obituary/1999/10/14/amalia-rodrigues
(por Eliane Prates-Svennesen 2023)
view all
Amália Rodrigues's Timeline
| 1920 |
July 23, 1920
|
Pena, Lisbon, Portugal
|
|
| 1999 |
October 6, 1999
Age 79
|
Santa Isabel, Lisbon, Portugal
|
|
| ???? |
Panteão Nacional, Igreja de Santa Engrácia, Lisbon, Portugal
|