Carlos Martínez

Portrait taken from his immigration card in Rio de Janeiro, Brazil: https://www.familysearch.org/ark:/61903/1:1:KNGK-F8B Original file: https://ibb.co/DkYLNgj or https://imgbox.com/kUaqE5em or https://pixhost.to/show/0/331510156_luis-martinez-serrano.jpg This work is in the public domain both in Brazil and in the United States because it was first published in Brazil (and not published in the U.S. within 30 days) and if it was copyrightable, it was first published before 1 March 1989 without complying with U.S. copyright formalities, such as copyright notice and it is one of the following: A work whose author died before 1936; An anonymous work or a work deemed to be anonymous, or a work by a collective person whose authors were not individually identified, published or disclosed before 1936; Photographic works not considered to be "artistic creations" produced before 20 June 1998. (Includes documentary photography in general (commercial or not), as well as non-artistic photographic portraits. See here for some guidance on this); Cinematographic, phonographic, photographic and applied arts works completed before 1936.

Photo by Maurice Seymour, from https://commons.wikimedia.org/wiki/File:John_Kriza_Lupe_Serrano_American_Ballet_Theatre_1957.JPG This work is in the public domain in the United States because it was published in the United States between 1928 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.